Wednesday, 4 May 2011

Photograph Copyright



Photograph Copyright.

As a professional photographer with an Internet presence, I frequently come across examples of my work being copied without permission.  Although this can be frustrating, it has not yet caused me too many sleepless nights, even though theoretically speaking, when bearing in mind that photography is my business, and I take photograph’s to generate an income to live on, I am actually losing money by allowing such unauthorised reproductions of my copyright work.  Or worse still with no reference being made as to who the image author was.  But then I am an easy going sort of bloke... up to a point.

It is increasingly evident that their is a general misunderstanding regarding photography copyright, most of which is due to vague personal interpretations of copyright law, and particularly in the modern age, how copyright of photographs applies to the Internet.  Generally speaking having a copyright allows the author of a photograph, (in other words the person who took it, which for these terms of reference will be yours truly), to retain control over when and how any image is copied, transmitted, duplicated, and/or reproduced, for any purpose.  

Concerns with photographic usage, and copyright transgressions, have without doubt become more commonplace following the increase in popularity of digital cameras, camera equipped mobile telephones, and of course usage on the Internet.  It means that large numbers of people now have the freedom to take and share images, and on the whole some might even argue this is not necessarily a negative point, but....  It is now far too easy to copy or post a copied image somewhere on the Internet, without copyright clearance from the author, and image duplication on Facebook is a prime example of this potentially unauthorised usage.

Some people, even those aware of copyright issues, might even think that if an author has placed an image into the public domain, then no copyright violation is taking place if it is copied.  How simple life would be if this was true.  One pro-photographer recently found that an item of his work had not only been copied (hardly good news to start with), but was being sold as a limited edition print by A N Other (very bad news indeed, especially for the transgressor, who theoretically could end up with a limitless fine if sued, which doubtless he was!). 

If an author’s photographs are being copied or reproduced on the Internet (or anywhere else for that matter) without permission, then depending on the circumstances and the goodwill of the copyright owner, the ‘copier could simply end up with a letter of warning, should the author wished to go that far, pointing out that copyright has been infringed and to remove the offending image immediately.  For most people this course of action would normally be sufficient.  Court action would usually only need to be considered if the person responsible for reproducing the image chose to ignore the warning, or more importantly was enjoying financial gain from the use of the image.  It could end up being an expensive mistake.

It has often been heard said, erroneously, that unless the image is labelled in some way with the author’s name and an official © style copyright notice, then copyright no longer applies.  This again is simply not true and has been the case in the vast majority of countries for over 20 years.  The original author retains copyright regardless, and these rights are still retained even if the image did not have a © or similar label stating this.  If someone is intending to use someone else’s photograph, just because it was not tagged or watermarked, it does not mean copyright no longer exists.  The safest way around this is to assume that every image on the Internet is copyrighted, which means steps should be taken to obtain the authors permission, before attempting to reproduce it anywhere else.  

There is also another general misconception where, by copying an author’s images, the person copying the image is providing free advertising for the author.  This too is false.  Some authors of the photograph might be happy to accept this and not take any action, but it is up to them to personally decide if they even want the (free) advertising.  The bottom line is that anyone who wishes to copy an image should (MUST) contact the original author, and obtain permission for the use of an image.  Personally I would always recommend that this is done in writing, if only to avoid any ambiguities on how the chosen image(s) can be used.  

One of the more regular failings is that if an image is found in a public place, such as on Facebook, or in an Internet blog or forum, and then because it has been published into the public domain, people believe they can simply copy the image and reproduce it elsewhere.  It seems many folk either believe, or are aware of but choose to ignore the fact, of how, just because an image is in the public domain, the author has waived copyright.  This is never the case unless it is specifically stated otherwise, such as: “These images are available without copyright for free use”, wherever the image appears.  So unless the author specifically states this then copyright remains in place.

Copyright law is there to protect images and prevent potentially nefarious individual(s) from flouting copyright law, and reproducing an author’s images for their own purposes without payment.  It is also designed to stop those individuals from being landed with a claim for possible substantial sums of money, to compensate the author for potentially ‘lost’ income. 

It is definitely easier to ask the author first before trying to take the law into your own hands.  You might, after all, even receive a surprisingly positive reply.  And for Facebook users in particular, starting by making it clear who the author of the original image was would, for me anyway, be a solid enough starting point!

Thursday, 28 April 2011

Royal Wedding




Probably the biggest secret so far of 2011 (not), the marriage of Prince William and his fiancee Kate Middleton, is now less than a day away, and as my invite to be the Royal Wedding official photographer did not arrive, or more likely it was lost in the post, I wondered just who had got the job in my absence? 
Well, the official photographer for the day is apparently a French chap called Hugo Barnard, who has actually been working with the Royal Family for a number of years.  It seems that Hugo will be using a Hasselblad H4D-50, a 50-million-pixel medium-format DSLR, costing a measly £25,000.  Nice work if you can get it..!  
Seriously though Monsieur Barnard is a photographer with impressive credentials.  Born in 1963, and educated at Harrow, his work has been published in Tatler Magazine since 1993. He has photographed many famous people, and of course, he was the official photographer for the marriage of Camilla Parker Bowles and Prince Charles in 2005.
Unfortunately, at £900 a licence, just to be a stills photographer on the side-lines, I will not be there...
Images from the Royal Wedding can eventually be found within the web-site for the National Archive of Wedding & Social Photography.

Sunday, 20 March 2011

Jiggy is Back



James (Jiggy) Gornall, the former British Formula TKM kart champion, BARC Formula Renault champion, and British GT champion, made a successful return to mainstream kart racing this weekend, in the opening round of the 2011 Super One Series at PF International, when he fought from a lowly grid position into a superb runner-up place... until officialdom struck!

Using his new Formula KGP Intrepid/BMB, and operating from racer Benjy Russell's camp, Jiggy recovered from 12th in timed qualifying, to take a solid 2nd place finish in the second final behind the outstanding Mike Simpson, only for problems with the MSA Steward being announced later this evening (Sunday), following a 'late in the race' clash with another driver.

Undoubtedly more news will follow on this story as it develops... as it most surely will!

Thursday, 17 March 2011

Strawberry and Cream


Not quite the summer yet, although the early arrival of Strawberry and Cream onto the first podiums of the year in the British Super One Championship, is definitely a good way to start.

With the opening Rotax round taking place at Whilton Mill last weekend, the Sheffield based Strawberry Racing Team delivered an exciting start to the new season, with podium finishes in nearly every final on Sunday afternoon.


With a talented team of young drivers coming through the ranks, 2011 is likely to be a strong season for all concerned on the new Tonykart/Cream comination.

Monday, 14 March 2011

The opening round of the Rotax Super One 2011 National Championship was held this weekend at Whilton Mill, but with heavy rain in the morning, and a leaden overcast sky for most of the day, it stayed bitterly cold throughout the day. When the sun finally burst through the clouds late in the afternoon, it might have lifted the spirits, but it was too little too late.

Speaking with Karting magazine colleague Adam Jones track-side, and then again later with former champ Tristram Oman, the Senior Rotax Max victor, Edward Brand, won the final on his Strawberry Racing Tonykart, despite taking part with a suspected broken arm! It was a remarkable achievement by Brand, because to win any Super One Championship round is a significant achievement on a driver's CV, let alone when carrying such an injury.

My best wishes for a job well done goes out to Mr Brand, who on this performance, must now be one of the favourites to lift the Senior Rotax title in six months time.

Tuesday, 8 March 2011










BBC2 recently ran an excellent documentary about two of the rising stars of British motor-sport, which can be found on the BBC i-Player:

Jake Dennis, the 2010 U-18 World Champion, racing for the RSF (Racing Steps Foundation), and Ben Barnicoat, who spent most of 2010 racing in top flight events as a family funded privateer, but who achieved McLaren Mercedes recognition by seasons end, are names to look out for in the future.

Although rivals last year Jake will be amongst the Senior ranks in 2011, where he will be pitting his skills against multiple champions from across the world, whilst Ben will remain in the Junior ranks. Undoubtedly, both will meet again on-track in the coming years as they progress up the racing ladder.

Both have names that the British public should try to remember, because they are part of the elite British talent who are coming through karting.

Sunday, 6 March 2011

SG Petch Abarth Champs (Round 2), Middlesbrough















Round 2 of the SG Petch Abarth Championship took place today at the Tees-side kart track, where James made his first appearance of the year for Karting Magazine and Hayden-Media, in dry and sunny conditions.

It started well with grid 3 after timed qualifying out of an enormous grid of 36 drivers and karts, but as the pack powered into the right-hander at the bottom of the hill on the International circuit, James was hit from behind and spun through 180 degrees. Fortunately the pursuing drivers parted like waves as they avoided contact, leaving James to re-start 36th and last. From that moment on though he 'flew', impressively carving his way from the back to 7th place, to within a few seconds of the fight for 4th position, but perhaps more importantly, setting the fastest race lap in the process!

Up at the sharp end Simon Marshall initially indulged in a tough fight for the lead with Scott McNicholas. Once they got within the back-markers though around mid-distance, it allowed Simon to break clear, leaving Scott to fall back into Craig Brock's clutches, in what was a nose-to-tail finish for 2nd place.

The next round of this impressively supported championship will take place on the first Sunday in April.